"If a composer could say what he had to say in words he would not bother trying to say it in music." ~ Gustav Mahler 

Bio

SAMUEL WHITESELL grew up in a family of musicians and particularly enjoyed listening to his father play ragtime and jazz arrangements on the piano.  By the age of six, Samuel enthusiastically started taking piano lessons.  In grade school, he also studied recorder and trumpet and learned four-part shape-note singing.  At the age of 11, he was fortunate to be accepted as a student of the world-renowned Russian pianist and teacher, Eugenia Tsarov.

 

When Samuel was 13, he and his brother, and two other close musical friends were taken under the wing of two local music teachers who had a professional contra dance band.  Under their direction they learned to play traditional New England, Celtic, and French Canadian dance music.  The following year, as high school freshmen, Samuel and this same group became interested in performing jazz.  They started their own group called Out Of The Blue, and performed during their high school and college years.  They transcribed arrangements of classic jazz tunes from recordings, created arrangements of their own, and penned some originals.  Out of the Blue was much in demand at coffee houses, parties, and receptions in the area.  

 

Samuel was also invited by upper classmen to play keyboard in the rock band The Vague, which played original music and works by Santana, Pink Floyd, Neil Young, The Grateful Dead, Led Zeppelin, The Allman Brothers, Phish, and Radiohead, among others.  The Vague produced an album of all original music entitled “The Day Walt Flipped His Lid”.

 

At age 17, Samuel was accepted on scholarship to the Crane School of Music, at the State University of New York at Potsdam.  There he continued classical piano study under the direction of Eugenia Tsarov.  Tsarov’s spiritually based approach to music is concerned much with color and inner expression, served by an organically conceived technique.  Samuel also took a jazz studies minor with director of jazz studies, trombonist Bret Zvacek, and studied jazz piano with Montreal based pianists John Roney and Josh Rager.

 

Samuel performed with the Crane School of Music’s select jazz ensemble, and other talented local jazz groups throughout northern New York.  While in college, Samuel participated in a workshop by jazz Hammond Organ player Tony Monaco.  For the next few years Samuel played on the Korg CX3 tonewheel organ synthesizer.  In his junior and senior years, Samuel took a concentration in piano pedagogy and taught both classical and jazz to a variety of piano students in the local community.  In the summer before his senior year, Samuel found great inspiration in a piano pedagogy workshop at the Longy School of Music in Cambridge, MA with the "Teacher's Teacher" Faina Bryanskaya, Ph.D.  In 2005 Samuel received his Bachelor of Music in Music Performance, graduating with academic and performance honors.

 

For three semesters after graduation Samuel was a freelance accompanist at the Crane School of Music, playing the piano for students’ lessons, master classes, and recitals.  Samuel also accompanied students at the Music Teachers National Association State Competition in Ithaca, New York, and performed in recitals in New Jersey with young saxophone virtuoso Jonathan Winteringham.  During this time Samuel received additional coaching in collaborative piano with flutist and conductor Kenneth Andrews, and performed on harpsichord with students.

 

2010 saw Samuel performing Broadway and patriotic music with the Orchestra of Northern New York and performing duos with jazz singer Blanche Smith.  After moving to Vermont in September of 2010, Samuel was inspired to write more of his own music.  He has performed this music at the 2011 Burlington Discover Jazz Festival with his saxophonist twin brother’s group, the Jake Whitesell Quartet, which also recently produced studio recordings of two of Samuel's compositions.  While in Vermont, Samuel also performed with the Burlington based group Pine Street Jazz and with the Adirondack Jazz Orchestra.

 

In January 2012, Samuel returned to his home town of Potsdam, New York, where he maintains a private piano studio and works as a freelance pianist.  Samuel accompanies students on piano at the Crane School of Music at SUNY Potsdam, functions as rehearsal pianist for and performs with a variety of music ensembles in northern New York state, and performs classical and jazz piano throughout the northeastern United States.  Samuel is currently pursuing a master's degree in piano performance and pedagogy at the Crane School of Music.